Showing posts with label Dreaming In Indian: Contemporary Native American Voices. Show all posts
Showing posts with label Dreaming In Indian: Contemporary Native American Voices. Show all posts

Tuesday, February 09, 2016

Lisa Charleyboy on Winning the American Indian Library Association's 2016 Middle Grade Honor Award for DREAMING IN INDIAN

I'm pleased to share Lisa Charleyboy's response to the news that Dreaming in Indian was named as the American Indian Library Association's 2016 Honor Book in the Middle Grade category: 


I am truly honoured to have 'Dreaming in Indian' recognized in the Middle School Category in the 2016 American Indian Youth Literature Awards. It has been an absolute dream for me to have worked with my co-editor Mary Beth Leatherdale in creating this anthology so that more youth across Turtle Island would be able to learn about the Indigenous experience.
It was truly our goal to use this book to enlighten and empower and being recognized in prestigious awards such as this allows the book to reach more people which is truly a blessing! 




Do take time to watch this video. In it, Lisa and her co-editor, Mary Beth Leatherdale, talk about the ideas, development, and reception to their book. In personal conversations with librarians, I can say that it is a big hit in their libraries.



Dreaming in Indian was reviewed on AICL on September 8 of 2014. Click on over to the review to get a peek of what is inside this terrific book. Congratulations, Lisa and Mary Beth! This book is a feast.

Monday, September 08, 2014

DREAMING IN INDIAN: CONTEMPORARY NATIVE AMERICAN VOICES

For some time now, I've been waiting for Dreaming in Indian: Contemporary Native American Voices. Edited by Lisa Charleyboy and Mary Leatherdale, it was getting buzz in Native networks on social media.

Given my commitment to bringing the work of Native writers to the fore--especially those set in the present day--the title alone caught my interest. Seeing names of writers who would have work in Dreaming in Indian intrigued me, too.

I've read it, now, and highly recommend it.

The publisher, Annick Press, tags it as being for young adults. Dreaming in Indian has a vibrancy I've not seen in anything else. A vibrancy that, perhaps, is characteristic of a generation at ease with technology and its tools... Native writers, that is at ease with technology and its use. Here's a set of pages from inside (image from publisher website):


I want to pore over the art, studying it, thinking about it, marveling at it. Isn't it stunning? I can imagine a lot of people dismissing this work because it doesn't conform to their stereotypical ideas of dead or stoic Indians. But I can also imagine a lot of others holding it dear because it reflects who we are...

The Foreword is by Lee Maracle (Salish and Cree Sto:lo Nation). She writes:
All the works in the following pages are part of that amazing struggle to go forward, into modernity, onto the global stage, without leaving our ancient selves behind.
And:
They sing out loud in verses, plain and compelling. They cry freedom in words commanding and unapologetic. They do with with tender insistence, bravery, and beauty.
Within Native literatures, Maracle's name is up there with our most acclaimed writers. As such, her words mean a lot. One of her most compelling books is I Am Woman: A Native Perspective on Sociology and Feminism. 

The first items in Dreaming in Indian are by a younger, equally compelling writer: Nicola Campbell (Interior Salish of Nik7kepmx [Thompson], Nxilx [Okanagan], Metis). I've written about her children's books several times. She has two poems in this book: "I Remember Lullabies" and "I Remember Fried Bologna and Rice." From the red and white checked tablecloth to the smoked hide Auntie works on, Campbell's poems reflect what Maracle noted: modernity and ancient selves that are part of our lives as we go forward.

Campbell's poems are in Part 1: Roots. The theme for Part 2 is Battles; for Part 3 it is Medicine, and Part 4 is titled Dreamcatchers. In each one, you'll find poetry, prose, and all manner of art. For most, you'll also have a solid introduction to the artists and writers, their lives, what drives them... Gritty and real, their live stories are inspiring.

Annick categorizes Dreaming In Indian as nonfiction, but I honestly don't know what to call it. The mix of media, writing, topics... It makes me think of Eliza Dresang and her writing about radical change. There's a lot to ponder in Dreaming In Indian. It'll challenge readers, in good ways, and that is a good thing. Check it out.

Update: Tuesday, September 9, 2:38 PM

I had a query about the image at top of the set of four. It features the work of Louie Gong. He is Nooksack. His contribution to Dreaming In Indian is a panel that has shoes and a phone case on the left:




 And, shoes on the right:




The accompanying page says that Gong wanted a pair of Vans but didn't see any patterned ones that he liked. So, he bought some gray ones, went home, and drew traditional Northwest Salish images on them. His art, his expression, his identity. Pretty cool.